Born and based in London, her portfolio speaks for itself as to the importance it places on inclusive representation, both in front and behind the camera. With formative training in dance, she brings to the screen a kinetic musicality, most notable through her choreographic camera work and synchronised editing style.
Emily's background in advertising has seen her work on a variety of projects, including the United Nations' Cannes Lion and D&AD award winning campaign, The People's Seat, as well as films for clients such as Net-a-Porter, Burt's Bees, and J.W. Anderson. She is currently commercially directing at Whalar, has recently rounded off a series of 'B-Movies' inspired by her favourite films to help stave off isolation, and is now in development on her first editorial short.